What would you do if you could fly at a concert? Or if a performer could grow to the size of a building and play with the crowd in real-time? How could a gig be transformed if every song had its own weather system, lights… and gravity? These are new questions for artists, creators and audiences alike to grapple with as we dig deeper into the discussion around virtual worlds.
To date, a key piece of the story – people – has so often been missing from virtual worlds and the technology that powers them. You’ll see virtual events where the performer’s not actually there, or where only 50 people are in the audience, because almost everyone is watching online. These obstacles create barriers to interaction and creativity.
Our groundbreaking and global virtual fan party with K-pop star AleXa was different – a major step in a new direction for virtual events. A huge crowd of 1450 fans freely roamed a virtual arena, interacting with AleXa herself, in a pioneering metaversal experience. Everyone was live. Everyone could see each other. Fans interacted with AleXa in real-time, waving, clapping and dancing. As we move forward, this kind of technology will further unlock intimacy at scale, giving performers the means to interact with individuals, all while surrounded by a crowd that inspires awe.
There are opportunities now to replicate the magic from real-world events – and go beyond. But people need to be at the heart of it.
That was deeply apparent at our event, especially during live call-and-response moments where AleXa asked people in the 1450-strong crowd to wave their glowing lightsticks. This was no gimmick: lightstick oceans are an integral part of K-pop concerts. In our virtual world AleXa and her fans from all across the globe came together as one to experience this phenomenon, which proved to be emotional moments for performer and audience alike.
Our path forward is to build on these very human ideas, blending the magic of a crowd, concepts drawn from real-world events, and unique experiences unbounded by the laws of physics and gravity. This will further set apart virtual events from those in the real world. We’ve already experimented with fans being able to gather on the performer, who can move them around using anti-gravity, as if everyone’s within a surreal, dreamlike movie. And we’re looking into many more concepts that will give artists and entertainers ways to connect like never before.
All these ideas, traditional and new, will combine to unlock many more unique experiences for people at gigs to stand out (if they want to) and be more deeply connected to performers they value – all at a scale that gives the experience more value. Yet critics might question whether there’s space for such things when the post-COVID era arrives and real-world concerts are commonplace again.
We think it’s a skewed view to consider virtual concerts a one-to-one replacement for real-world events. Although our own experiments started with things you’ll be familiar with from gigs and festivals, the opportunity here is to provide a deeper and different type of interaction where as a participant you’ll be able to do things with other fans and the performer that exceed what’s possible in the real world.
The opportunity is to provide a deeper and different type of interaction where you’ll be able to do things with other fans and the performer that exceed what’s possible in the real world.
Such ambition brings with it many challenges. The most apparent is technological. It’s no small technical feat to bring so many people together in a single virtual space. There are rendering issues in getting that many people on-screen, updating at the same time. You must factor in network updates that allow everyone to interact in real-time. Then there’s the issue of processing physics for such a large volume of people.
There’s also an amazing creative challenge ahead of us. With AleXa, we started with something that looks a bit like a concert. That was intentional because this is the beginning of our journey. But we’re now asking artists and performers questions they’d never considered before. All this opens up a wealth of creative options for content creators and artists alike.
In short, these events are about breaking down barriers across the board, whether the considerations are technical, creative or about accessibility. Too often, tech innovations appear cold – zeros and ones. They’re not relatable. Our biggest discovery with the AleXa event was that combination of real-time call-and-response, the live presence of the performer, and the sheer mass of the crowd. It felt very human. It felt authentic. It was a real thing, with a real artist interacting with a real audience – not just a pretty cut scene.